British Modernism (1900-1939): Starting your research (books)

A Companion to the British and Irish Novel 1945-2000 serves as an extended introduction and reference guide to the British and Irish novel between the close of World War II and the turn of the millennium. Covers a wide range of authors from Samuel Beckett to Salman Rushdie Provides readings of key novels, including Graham Greene's 'Heart of the Matter', Jean Rhys's 'Wide Sargasso Sea' and Kazuo Ishiguro's 'The Remains of the Day' Considers particular subgenres, such as the feminist novel and the postcolonial novel Discusses overarching cultural, political and literary trends, such as screen adaptations and the literary prize phenomenon Gives readers a sense of the richness and diversity of the novel during this period and of the vitality with which it continues to be discussed

This Companion offers a compelling engagement with British fiction from the end of the Second World War to the present day.

The first reference to literary and cultural representations of war in 20th-century English and US literature and film. Coving the two World Wars, the Spanish Civil War, the Cold War, the Vietnam War, the Troubles in Northern Ireland and the War on Terror, this Companion reveals the influenceof modern wars on the imagination.These newly researched and innovative essays connect "high" literary studies to the engagement of film and theatre with warfare, extensively cover the literary and cultural evaluation of the technologies of war and open the literary field to genre fiction. Divided into 5 sections: * 20th-Century Wars and Their Literatures* Bodies, Behaviours, Cultures* The Cultural Impact of the Technologies of Modern War* The Spaces of Modern War* Genres of War CultureKey Features* All-new original essays commissioned from major critics and cultural historians*Reflects the way war studies are currently being taught and researched: in the volume's approach, structure and breadth of coverage* For sor scholars: core arguments and detailed research topics* For students: Historically grounded topic- and genre-based essays, useful for studying the modern periodand war modules

A groundbreaking re-reading of the literary response to a decade of trauma and transformation This new study undoes the customary division of the 1940s into the Second World War and after. Instead, it focuses on the thematic preoccupations that emerged from writers' immersion in and resistance to the conflict.

This new guide to the main developments in the history of British and Irish Literature uniquely charts some of the main features of literary language development and highlights key language topics. Clearly structured and highly readable, unlike traditional histories of literature it spans over a thousand years of literary history from AD 600 to the present day. It emphasizes the growth of literary writing, its traditions, conventions and changing characteristics, and includes literature from the margins, both geographical and cultural. Key features of the book are: * an up-to-date guide to the major periods of literature in English in Britain and Ireland * extensive coverage of post-1945 literature * language notes spanning AD 600 to the present * extensive quotations from poetry, prose and drama * a timeline of the important historical and political events This will be essential reading for all students of English literature and language.

This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

The Bloomsbury Group was as well known for its love affairs as for the work that was produced by its members. Of all the romantic entanglements, the love quadrangle between Frances Partridge, her husband Ralph Partridge, his first wife, Dora and Lytton Strachey was one of the most tortured (Frances loved Ralph, who loved Dora, who loved Lytton, who loved Ralph) - and tragic, ending in the death of Strachey and the suicide of Dora. Love in Bloomsbury, Frances Partridge's celebrated account of these turbulent years, describes her Victorian upbringing and tells the story of the star-crossed quartet, two of whom were doomed, the other two survivors. Replete with vivid accounts of parties and infused with the heady, Bohemian atmosphere which flourished after the First World War and revealing character sketches of all the principal "Bloomsberries" - Leonard and Virginia Woolf, her sister Vanessa Bell, John Maynard Keynes and Roger Fry. This is 'Bloomsbury laid bare' - a window onto the lives, loves and excesses of some of the 20th centuries most intriguing, yet engimatic, players.