Book Displays

The quirkily titled My Year of Meatstook the literary community by storm, garnering widespread, glowing reviews, awards, and a still-growing readership for first-time author Ruth Ozeki. Newsweekdeclared it "a feast that leaves you hungry for whatever Ozeki cooks up next." Well, hunger no more; All Over Creationis served and Ozeki has laid out a four-star spread replete with humor, warmth, originality, and brilliantly drawn characters whom you'll never forget. Meet Yumi Fuller. A Japanese American prodigal daughter, Yumi-aka Yummy-is returning home to the Idaho potato farm she ran away from twenty-five years earlier. Then a freewheeling hippie chick, Yumi is now a (semi) responsible parent and a professor with a side gig selling lava lots in Hawaii. But can she possibly be prepared to face her dying father, Alzheimer's-devastated mother, and Cass, the best friend she left behind? Not to mention a former lover whose agribusiness client has banished him to Idaho-where he lands in the small-town community he once offended and in Yumi's life. As she grapples with her conflicted past and uncertain future, Yumi collides with the Seeds of Resistance, an eco-activist group with a knack for causing trouble wherever it plants itself. With her signature wit and uncanny ability to evoke the pathos and humor of life's conundrums, Ozeki spins a timeless tale of birth and death, family and friendship. All Over Creationis the emotionally resonant and utterly unique story of an ordinary woman just trying to make sense of it all as the unceasing cycle of all creation continues around her.

A NATIONAL BESTSELLER This beloved memoir "is an extraordinary, honest, nuanced and compassionate look at adoption, race in America and families in general" (Jasmine Guillory, Code Switch, NPR) What does it means to lose your roots--within your culture, within your family--and what happens when you find them? Nicole Chung was born severely premature, placed for adoption by her Korean parents, and raised by a white family in a sheltered Oregon town. From childhood, she heard the story of her adoption as a comforting, prepackaged myth. She believed that her biological parents had made the ultimate sacrifice in the hope of giving her a better life, that forever feeling slightly out of place was her fate as a transracial adoptee. But as Nicole grew up--facing prejudice her adoptive family couldn't see, finding her identity as an Asian American and as a writer, becoming ever more curious about where she came from--she wondered if the story she'd been told was the whole truth. With warmth, candor, and startling insight, Nicole Chung tells of her search for the people who gave her up, which coincided with the birth of her own child. All You Can Ever Know is a profound, moving chronicle of surprising connections and the repercussions of unearthing painful family secrets--vital reading for anyone who has ever struggled to figure out where they belong.

A fresh and subtle response to issues relating to cultural diversity, Articulate Silences will be important reading for scholars and students in the fie,4s of literary theory and criticism, women's studies, Asian American studies, and ethnic studies.

Where Selina Marsh's first collection, Fast Talking PI, boldly, insightfully, and lyrically wrestled with the realities of being an individual of Pacific descent in a primarily European world, her latest offering fiercely combats the loss of a loved one with all of the techniques of poetry and the Thai kickboxing she practices at her disposal. The compendium brims with a fluid, humming list of poems, literary shout outs, and personal elegies, as Marsh takes readers through her mother's cancer diagnosis and the long journey as her illness played itself out. Along the way, the poet offers glimpses of other parts of her world as well: scenes from Matiatia to Orapiu to Apia; classroom politics; the importance of leadership; and the reasons she feels New Zealand is a "lucky" country. The affecting, rhythmic verses in the book are given a literal, and appealing, voice in the accompanying audio CD, on which Marsh reads aloud a selection of the poems.

After the attack on Pearl Harbor, everything changed for Yoshiko Uchida. Desert Exile is her autobiographical account of life before and during World War II. The book does more than relate the day-to-day experience of living in stalls at the Tanforan Racetrack, the assembly center just south of San Francisco, and in the Topaz, Utah, internment camp. It tells the story of the courage and strength displayed by those who were interned. Replaces ISBN 9780295961903

In January 2017, Donald Trump signed an executive order stopping entry to the United States from seven predominantly Muslim countries and dramatically cutting the number of refugees allowed to resettle in the United States each year. The American people spoke up, with protests, marches, donations, and lawsuits that quickly overturned the order. But the refugee caps remained.   In The Displaced, Pulitzer Prize-winning writer Viet Thanh Nguyen, himself a refugee, brings together a host of prominent refugee writers to explore and illuminate the refugee experience. Featuring original essays by a collection of writers from around the world, The Displaced is an indictment of closing our doors, and a powerful look at what it means to be forced to leave home and find a place of refuge.

The emotionally wrenching yet ultimately uplifting memoir of a Chinese woman struggling to win the love and acceptance of her family. Born in 1937 in a port city a thousand miles north of Shanghai, Adeline Yen Mah was the youngest child of an affluent Chinese family who enjoyed rare privileges during a time of political and cultural upheaval. But wealth and position could not shield Adeline from a childhood of appalling emotional abuse at the hands of a cruel and manipulative stepmother. Determined to survive through her enduring faith in family unity, Adeline struggled for independence as she moved from Hong Kong to England and eventually to the United States to become a physician and writer. A compelling, painful, and ultimately triumphant story of a girl's journey into adulthood, Adeline's story is a testament to the most basic of human needs: acceptance, love, and understanding. With a powerful voice that speaks of the harsh realities of growing up female in a family and society that kept girls in emotional chains, Falling Leaves is a work of heartfelt intimacy and a rare authentic portrait of twentieth-century China. "Riveting. A marvel of memory. Poignant proof of the human will to endure." --Amy Tan

New, emerging, and established Asian diasporic writers touch on the personal and political dimensions of home in the 21st century. Both urgent and meditative, this literary anthology showcases fiction, memoir, and poetry from a diverse array of voices, including Alexander Chee on scarred bodies, Kimiko Hahn on gustatory memory, and Amitava Kumar on the art of writing immigrant narratives.

Here is the eagerly awaited new novel from the author of The Joy Luck Club, the powerful and moving bestseller hailed by the Los Angeles Times Book Review as powerful . . . full of magic. Convinced that she is dying, an elderly Chinese woman living in San Francisco decides to reveal all the confidences entrusted to her, thus beginning a series of comic misunderstandings about the secrets people keep.

Jhumpa Lahiri's Interpreter of Maladies established this young writer as one the most brilliant of her generation. Her stories are one of the very few debut works -- and only a handful of collections -- to have won the Pulitzer Prize for fiction. Among the many other awards and honors it received were the New Yorker Debut of the Year award, the PEN/Hemingway Award, and the highest critical praise for its grace, acuity, and compassion in detailing lives transported from India to America.In The Namesake, Lahiri enriches the themes that made her collection an international bestseller: the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignantly, the tangled ties between generations. Here again Lahiri displays her deft touch for the perfect detail -- the fleeting moment, the turn of phrase -- that opens whole worlds of emotion. The Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. On the heels of their arranged wedding, Ashoke and Ashima Ganguli settle together in Cambridge, Massachusetts. An engineer by training, Ashoke adapts far less warily than his wife, who resists all things American and pines for her family. When their son is born, the task of naming him betrays the vexed results of bringing old ways to the new world. Named fora Russian writer by his Indian parents in memory of a catastrophe years before, Gogol Ganguli knows only that he suffers the burden of his heritage as well as his odd, antic name. Lahiri brings great empathy to Gogol as he stumbles along the first-generation path, strewn with conflicting loyalties, comic detours, and wrenching love affairs. With penetrating insight, she reveals not only the defining power of the names and expectations bestowed upon us by our parents, but also the means by whichwe slowly, sometimes painfully, come to define ourselves. The New York Times has praised Lahiri as "a writer of uncommon elegance and poise." The Namesake is a fine-tuned, intimate, and deeply felt novel of identity.

One of the most celebrated poetry books of the year: The New Yorker, The Best Books of Poetry of 2016 New York Times, Critics Pick Boston Globe, Best Books listing NPR, Best Books listing Miami Herald, Best LGBTQ Books San Francisco Chronicle, Top 100 Books of the Year Library Journal, Best Books of 2016 Michiko Kakutani inThe New York Times writes: "The poems in Mr. Vuong''s new collection,Night Sky With Exit Wounds...possess a tensile precision reminiscent of Emily Dickinson''s work, combined with a Gerard Manley Hopkins-like appreciation for the sound and rhythms of words. Mr. Vuong can create startling images (a black piano in a field, a wedding-cake couple preserved under glass, a shepherd stepping out of a Caravaggio painting) and make the silences and elisions in his verse speak as potently as his words...There is a powerful emotional undertow to these poems that springs from Mr. Vuong''s sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things." "Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion."--The New Yorker "The language is painfully, exquisitely exact, the scenes haunting and indelible.... Highly recommended."--Library Journal, starred review "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."--Buzzfeed''s "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world."--2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."--LitHub "Vuong''s powerful voice explores passion, violence, history, identity--all with a tremendous humanity."--Slate "In his impressive debut collection, Vuong writes beauty into--and culls from--individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity."--Publishers Weekly Torso of Air Suppose you do change your life. & the body is more than a portion of night--sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side-- waiting. Born in Saigon, Vietnam,Ocean Vuongattended Brooklyn College. He is the author of two chapbooks as well as a full-length collection,Night Sky with Exit Wounds. A Ruth Lilly Fellow and winner of the Whiting Award, Ocean Vuong lives in New York City.

"Pangs of Love, originally published in 1991, was the debut work of David Wong Louie, one of the most influential voices in contemporary Asian American literature. This collection of short stories centers around characters who are in conflict with their place in the world, often feeling disconnected from both American society and their own families. Yet the stories transcend the simplistic narrative of Asian American struggles with alienation in a foreign land, and the depth of the characters highlights how their experiences of love and envy and loneliness and loss and duty are universal, informed by their heritage but not confined by it. This expanded edition includes an additional short story, a haunting autobiographical essay, an afterword by King-Kok Cheung, and a foreword by Pulitzer Prize winner Viet Thanh Nguyen"

In Race and Resistance: Literature and Politics in Asian America, Viet Nguyen argues that Asian American intellectuals have idealized Asian America, ignoring its saturation with capitalist practices. This idealization of Asian America means that Asian American intellectuals can neither grapple with their culture's ideological diversity nor recognize their own involvement with capitalist practices such as the selling of racial identity. Making his case through the example of literature, which remains a critical arena of cultural production for Asian Americans, Nguyen demonstrates that literature embodies the complexities, conflicts, and potential future options of Asian American culture.

The sheer diversity of the Asian American populace makes them an ambiguous racial category. Indeed, the 2010 U.S. Census lists twenty-four Asian-ethnic groups, lumping together under one heading people with dramatically different historical backgrounds and cultures. In Racial Ambiguity in Asian American Culture, Jennifer Ann Ho shines a light on the hybrid and indeterminate aspects of race, revealing ambiguity to be paramount to a more nuanced understanding both of race and of what it means to be Asian American.    Exploring a variety of subjects and cultural artifacts, Ho reveals how Asian American subjects evince a deep racial ambiguity that unmoors the concept of race from any fixed or finite understanding. For example, the book examines the racial ambiguity of Japanese American nisei Yoshiko Nakamura deLeon, who during World War II underwent an abrupt transition from being an enemy alien to an assimilating American, via the Mixed Marriage Policy of 1942. It looks at the blogs of Korean, Taiwanese, and Vietnamese Americans who were adopted as children by white American families and have conflicted feelings about their "honorary white" status. And it discusses Tiger Woods, the most famous mixed-race Asian American, whose description of himself as "Cablinasian"--reflecting his background as Black, Asian, Caucasian, and Native American--perfectly captures the ambiguity of racial classifications.      Race is an abstraction that we treat as concrete, a construct that reflects only our desires, fears, and anxieties. Jennifer Ho demonstrates in Racial Ambiguity in Asian American Culture that seeing race as ambiguous puts us one step closer to a potential antidote to racism.   

A broad survey of the Samoan arts has not been published since the 1930s. This volume presents a contemporary survey of art in Samoa, drawing on the extensive research base that exists and reintroducing this information in a refreshing and accessible text with extensive illustrations.

Yokohama, California, originally released in 1949, is the first published collection of short stories by a Japanese American. Set in a fictional community, these linked stories are alive with the people, gossip, humor, and legends of Japanese America in the 1930s and 1940s. Replaces ISBN 9780295961675