Book Displays

Winner of the 2013 Hurston/Wright Legacy Award for Poetry "The Collected Poems of Lucille Clifton 1965-2010 may be the most important book of poetry to appear in years."--Publishers Weekly "All poetry readers will want to own this book; almost everything is in it."--Publishers Weekly "If you only read one poetry book in 2012,The Collected Poems of Lucille Clifton ought to be it."--NPR "The 'Collected Clifton' is a gift, not just for her fans...but for all of us."--The Washington Post "The love readers feel for Lucille Clifton--both the woman and her poetry--is constant and deeply felt. The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness."--Toni Morrison, from the Foreword The Collected Poems of Lucille Clifton 1965-2010 combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965-1969, a collection-in-progress titledthe book of days (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize-winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career. On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose "lifetime accomplishments warrant extraordinary recognition," and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America. "mother-tongue: to man-kind" (from the unpublishedthe book of days): all that I am asking is that you see me as something more than a common occurrence, more than a woman in her ordinary skin.

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in twentieth-century literature. "[Lorde's] works will be important to those truly interested in growing up sensitive, intelligent, and aware."--The New York Times  In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published. These landmark writings are, in Lorde's own words, a call to "never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is . . . "

America's foremost novelist reflects on the themes that preoccupy her work and increasingly dominate national and world politics: race, fear, borders, the mass movement of peoples, the desire for belonging. What is race and why does it matter? What motivates the human tendency to construct Others? Why does the presence of Others make us so afraid? Drawing on her Norton Lectures, Toni Morrison takes up these and other vital questions bearing on identity in The Origin of Others. In her search for answers, the novelist considers her own memories as well as history, politics, and especially literature. Harriet Beecher Stowe, Ernest Hemingway, William Faulkner, Flannery O'Connor, and Camara Laye are among the authors she examines. Readers of Morrison's fiction will welcome her discussions of some of her most celebrated books?Beloved, Paradise, and A Mercy. If we learn racism by example, then literature plays an important part in the history of race in America, both negatively and positively. Morrison writes about nineteenth-century literary efforts to romance slavery, contrasting them with the scientific racism of Samuel Cartwright and the banal diaries of the plantation overseer and slaveholder Thomas Thistlewood. She looks at configurations of blackness, notions of racial purity, and the ways in which literature employs skin color to reveal character or drive narrative. Expanding the scope of her concern, she also addresses globalization and the mass movement of peoples in this century. National Book Award winner Ta-Nehisi Coates provides a foreword to Morrison's most personal work of nonfiction to date.

An official Oprah Winfrey's "The Books That Help Me Through" selection A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation, gave passionate voice to the emerging civil rights movement--and still lights the way to understanding race in America today.   "Basically the finest essay I've ever read. . . . Baldwin refused to hold anyone's hand. He was both direct and beautiful all at once. He did not seem to write to convince you. He wrote beyond you." --Ta-Nehisi Coates   At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document from the iconic author of If Beale Street Could Talk and Go Tell It on the Mountain. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of literature.

In honor of the 150th anniversary of W. E. B. Du Bois?s birth in Great Barrington, Massachusetts, the University of Massachusetts Library has prepared a new edition of Du Bois?s classic, The Souls of Black Folk. Originally published in 1903, Souls introduced a number of now-canonical terms into the American conversation about race, among them double-consciousness, and it sounded the ominous warning that ?the problem of the Twentieth Century is the problem of the color-line.? In a new introduction, Shawn Leigh Alexander outlines the historical context of this critical work and provides rare documents from the special collections archive at the Du Bois Library at the University of Massachusetts Amherst. Unlike Du Bois?s more scholarly work, Souls blends narrative and autobiographical essays, and it continues to reach a wide domestic and international readership. This moving homage to black life and culture and its sharp economic and historical critique are more important than ever, resonating with today?s unequivocal demand that Black Lives Matter in the twenty-first century.

This stunning first novel by the author ofThe Wedding is one of only a handful of novels published by black women during the 1940s. It tells the story of Cleo Judson--daughter of southern sharecroppers and wife of "Black Banana King" Bart Judson. Cleo seeks to recreate her original family by urging her sisters and their children to live with her, while rearing her daughter to be a member of Boston's black elite.

W.E.B. Du Bois, one of the most influential African- Americans of the 20th century, made significant societal contributions as a teacher, writer, and founding director of the NAACP. The Quest of the Silver Fleece reflects the attitudes and mindset of Americans;Northerners and Southerners, rich and poor, Black and White;at the dawn of the century. The Silver Fleece, cotton, could be the answer to Zora and Bles' prayers in overcoming poverty. While attending Miss Smith's School in rural Alabama, they lovingly nurture their crop. But, the white aristocracy is determined to control the price of cotton and monopolize the market. Can two young lovers prevail despite the daunting obstacles laid before them?

Although best known as a poet, Langston Hughes was also the author of two novels that richly evoke the black experience in America. First published in 1930 and 1958, respectively, Not without Laughter and Tambourines to Glory reflect the early and late vision of one of the twentieth century's most distinguished men of letters. In his introduction to this combined edition of both novels, Dolan Hubbard addresses Hughes's growing influence on American letters and reveals how a black aesthetic tradition shaped his art and his imagination. Hughes shows us how the discourse of black America informs and alters our understanding of cultural history and of aesthetic values. In Not without Laughter, he movingly tells the story of a black boy growing into manhood in a small Kansas town during the early twentieth century and his experiences with race, family, school, work, music, and religion. His grandmother, a humble religious woman, struggles to keep her family (living with her are two of her three daughters, one son-in-law, and her grandson) together, on the meager income she earns by taking in washing. Set in Harlem, the center of Hughes's spiritual universe, Tambourines to Glory is an urban folk melodrama based on the black fusion of Christian hymns and spirituals with the blues. This comic novel captures the spirit of newly transplanted southern blacks who bend the alien rhythms of the city to the gospel sound. This volume of The Collected Works of Langston Hughes is a testament to a man whose life and writings have had a profound influence on world literature and is proof that Hughes's immense talent embraced not only poetry, but fiction as well.

James Weldon Johnson's The Autobiography of an Ex-Colored Man is the fictional account of the life of a young American man in the late nineteenth and early twentieth century. With his bi-racial heritage, the Ex-Colored Man is faced with the choice of embracing his black culture and its ragtime music, or passing as a white man and living a mediocre middle-class existence. While not actually an autobiography, Johnson based the book on his own life and the lives of people he knew.

Restless Classics presents the ninetieth anniversary edition of an undersung gem of the Harlem Renaissance: Nella Larsen'sPassing, a captivating and prescient exploration of identity, sexuality, self-invention, class, and race set amidst the pealing boisterousness of the Jazz Age. When childhood friends Irene Redfield and Clare Kendry cross paths at a whites-only restaurant, it's been decades since they last met. Married to a bigoted white man who has no idea that she is African American, Clare has fully embraced her ability to "pass" as a white woman. Irene, also light-skinned and living in Harlem, is shocked by Clare's rejection of her heritage, though she too passes when it suits her needs. This encounter sparks an intense relationship between the two womenwho, as acclaimed critic and novelist Darryl Pinckney writes in his insightful introduction, reflect Larsen's own experience of being "between black and white, and culturally at home nowhere." In a culture intent on setting boundaries, Clare and Irene refuse to adhere to expectations of gender, race, or class, culminating in a tragic clash of identities, as their relationship swings between emotional hostility and intense attraction.

Octavia E. Butler's bestselling literary science-fiction masterpiece, Kindred, now in graphic novel format.   More than 35 years after its release, Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day. Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler's mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century.    Butler's most celebrated, critically acclaimed work tells the story of Dana, a young black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre-Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana's own ancestors, and the many people who are enslaved by him.   Held up as an essential work in feminist, science-fiction, and fantasy genres, and a cornerstone of the Afrofuturism movement, there are over 500,000 copies of Kindred in print. The intersectionality of race, history, and the treatment of women addressed within the original work remain critical topics in contemporary dialogue, both in the classroom and in the public sphere.   Frightening, compelling, and richly imagined, Kindred offers an unflinching look at our complicated social history, transformed by the graphic novel format into a visually stunning work for a new generation of readers.

Though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore.             Even avid readers of Hurston's prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime--and some to public acclaim--they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston's dramatic works stand on their own merits and independently of her fiction.             Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a "real Negro theater" that embraces all the richness of black life.

When you're black and female in America, society's rules were never meant to make you safe or free. In this "flawlessly executed work [that] reinvigorates the short fiction genre," Camille Acker's relatable yet unexpected characters break down the walls of respectability politics, showing that the only way for black women to be free is to be themselves (BUST). In her debut short story collection, Camille Acker unleashes the irony and tragic comedy of respectability onto a wide-ranging cast of characters, all of whom call Washington, DC, home. A "woke" millennial tries to fight gentrification, only to learn she's part of the problem; a grade school teacher dreams of a better DC, only to take out her frustrations on her students; and a young piano player wins a competition, only to learn the prize is worthless.  Ultimately, they are confronted with the fact that respectability does not equal freedom. Instead, they must learn to trust their own conflicted judgment and fight to create their own sense of space and self. "A timely, welcome book." --The Millions

This New York Times Book Review Notable Book of the Year is "a powerful tale of racial tensions across generations" (People) that explores the depths of women's relationships--powerful women and marginalized women, healers and survivors.  In 1924, Josephine is the proud owner of a thriving farm. As a child, she channeled otherworldly power to free herself from slavery. Now her new neighbor, a white woman named Charlotte, seeks her company, and an uneasy friendship grows between them. But Charlotte has also sought solace in the Ku Klux Klan, a relationship that jeopardizes Josephine's family. Nearly one hundred years later, Josephine's descendant, Ava, is a single mother who has just lost her job. She moves in with her white grandmother, Martha, a wealthy but lonely woman who pays Ava to be her companion. But Martha's behavior soon becomes erratic, then threatening, and Ava must escape before her story and Josephine's converge. The Revisioners explores the depths of women's relationships--powerful women and marginalized women, healers and survivors. It is a novel about the bonds between mothers and their children, the dangers that upend those bonds. At its core, The Revisioners ponders generational legacies, the endurance of hope, and the undying promise of freedom. "[A] stunning new novel . . . Sexton's writing is clear and uncluttered, the dialogue authentic, with all the cadences of real speech . . . This is a novel about the women, the mothers." ―The New York Times Book Review

2019 National Book Award Longlist "WithBuild Yourself a Boat, Camonghne Felix heralds a thrillingly new form of storytelling." --Morgan Parker, author ofMagical Negro This is about what grows through the wreckage. This is an anthem of survival and a look at what might come after. A view of what floats and what, ultimately, sustains. Build Yourself a Boatredefines the language of collective and individual trauma through lyric and memory.

A Best Book of 2017: NPR, TheGuardian,Publishers Weekly,Library Journal,Bustle,Bookish, Barnes & Noble, Chicago Public Library,Book Scrolling. CLMP Firecracker Award Winner A Stonewall Book Award Honor Book Finalist for the 2018 Locus Award, John W. Campbell Award for Best New Writer, and the Lambda Literary Award. Nominated for the 2018 Hurston/Wright Legacy Award for Debut Novel "What Solomon achieves with this debut--the sharpness, the depth, the precision--puts me in mind of a syringe full of stars. I want to say about this book, its only imperfection is that it ended. But that might give the wrong impression: that it is a happy book, a book that makes a body feel good. It is not a happy book. I love it like I love food, I love it for what it did to me, I love it for having made me feel stronger and more sure in a nightmare world, but it is not a happy book. It isan antidote to poison. It is inoculation against pervasive, enduring disease. Like a vaccine, it is briefly painful, leaves a lingering soreness, but armors you from the inside out." --NPR "In Rivers Solomon's highly imaginative sci-fi novelAn Unkindness of Ghosts, eccentric Aster was born into slavery on--and is trying to escape from--a brutally segregated spaceship that for generations has been trying to escort the last humans from a dying planet to a Promised Land. When she discovers clues about the circumstances of her mother's death, she also comes closer to disturbing truths about the ship and its journey." --BuzzFeed "What Solomon does brilliantly in this novel is in the creation of a society in which dichotomies loom over certain aspects of the narrative, and are eschewed by others...Hearkening back to the past in visions of the future can hold a number of narrative purposes...The past offers us countless nightmares and cautionary tales; so too, I'm afraid, can the array of possible futures lurking up ahead." --Tor.com "This book is a clear descendent of Octavia Butler's Black science fiction legacy, but grounded in more explicit queerness and neuroatypicality." --AutoStraddle "Ghosts are 'the past refusing to be forgot,' says a character in this assured science-fiction debut. That's certainly the case aboard the HSSMatilda, a massive spacecraft arranged along the cruel racial divides of pre-Civil War America." --Toronto Star Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, she'd be powerful enough to tear down the walls around her until nothing remains of her world. Aster lives in the lowdeck slums of the HSSMatilda, a space vessel organized much like the antebellum South. For generations, Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster. Embroiled in a grudge with a brutal overseer, Aster learns there may be a way to improve her lot--if she's willing to sow the seeds of civil war.

A suicidal father looks to an older neighbor -- and the Cookie Monster -- for salvation and sanctuary as his life begins to unravel. A man seeking to save his estranged, drug-addicted brother from the city's underbelly confronts his own mortality. A chess match between a girl and her father turns into a master class about life, self-realization, and pride: "Now hold on little girl.... Chess is like real life. The white pieces go first so they got an advantage over the black pieces." These are just a few glimpses into the world of the residents of the fictional town of Cross River, Maryland, a largely black settlement founded in 1807 after the only successful slave revolt in the United States. Raw, edgy, and unrelenting yet infused with forgiveness, redemption, and humor, the stories in this collection explore characters suffering the quiet tragedies of everyday life and fighting for survival. In Insurrections, Rion Amilcar Scott's lyrical prose authentically portrays individuals growing up and growing old in an African American community. Writing with a delivery and dialect that are intense and unapologetically current, Scott presents characters who dare to make their own choices -- choices of kindness or cruelty -- in the depths of darkness and hopelessness. Although Cross River's residents may be halted or deterred in their search for fulfillment, their spirits remain resilient -- always evolving and constantly moving.